98w彩票✔️排名代做访问➡️liuhen.vip⬅️AG电子皇家戏台iIZI98w彩票52mS98w彩票YBVr✔️排名代做访问➡️liuhen.vip⬅️AG电子皇家戏台tlux98w彩票

« - , .

4 - . 4 (, , ) 4- 2005 .

( ), «Institute for Plastination , .

, - . . , , .

, , ,

: / Autopsy Life and Death
4 - " ". . .

In this new four-part series, anatomist Dr Gunther von Hagens and pathologist Professor John Lee get right under the skin to reveal the processes in life that tie us to our ultimate fate in death.The two scientists perform a series of autopsy demonstrations at the Institute of Plastination in Heidelberg, Germany, in which they point up the process of finding a cause of death. With the aid of human dissection, live models and scientific models they are able to reveal what disease really looks like and how it works.It is important to note that in the UK, a standard clinical autopsy tends to follow a set pattern in order to establish a sound cause of death for scientific, medical and legal purposes. The autopsy demonstrations in the programmes employ similar techniques to the clinical standard. But they were designed to present a clear view of the anatomy and pathology and as such they represent partial, rather than full autopsies. The autopsies in the films did not have any medico-legal purpose, since causes of death had, in all cases, already been registered in the manner required by German law.

Circulation. The series begins by looking at diseases affecting the circulatory system, a major cause of death in the UK. Von Hagens and Lee explain that rather than life hanging by a thread, it hangs by a tube. In particular they demonstrate the complex network of blood vessels that deliver oxygen to our vital organs. If some of these narrow, harden, become blocked or burst, they can damage the heart and end in what we understand as a heart attack.

Cancer. In the second programme of the series von Hagens and Lee take a look at cancer. They illuminate the difficulties of diagnosing and treating a disease that is a result of the body's own cells multiplying uncontrollably. Von Hagens dissects a woman who died of bowel cancer to reveal the site of the primary tumour and the other parts of her body that it affected. He also reveals the silent spread of tumours in the frozen body of a woman who died from breast cancer.

Poisoning. When von Hagens and Lee address the subject of poisoning, they are not thinking of a murder mystery. Von Hagens dissects the body of a dialysis patient who died of kidney failure to reveal that we are more likely to die of internal poisoning than by a surreptitious dose of arsenic. Lee explains how the body can be contaminated if critical organs like the kidneys and liver malfunction and fail to filter out poisonous byproducts of metabolism.

Ageing. In the last programme, von Hagens and Lee illustrate the process of ageing. To reveal the dread process for us all to see, the two scientists compare the bodies of two live models - an 84-year-old and a 24-year-old. Von Hagens then compares sections from the cadaver of a woman over 80 years old with the same sections from a much younger woman. By revealing the internal extent of ageing damage, von Hagens and Lee demonstrate the widespread effects of ageing and explain why we can't life forever.


: / Autopsy: Emergency Room
In November 2007, another series of 3 programmes was shown entitled Autopsy: Emergency Room, showing what happens when the body is injured, and featuring presentations by the British Red Cross.



  ( ):
Strange Rituals /
In 2009 History Channel broadcast a series called Strange Rituals with eleven episodes. The first episode titled Last Rites featured von Hagens and his plastination method to preserve bodies.

Crucifixion /
On Easter Sunday 2012 the UK's Channel 4 showed a programme entitled Crucifixion in which von Hagens created his interpretation of the crucifixion of Jesus. The documentary examined the enduring iconic image of the Crucifix. A number of donors were used for the plastination of blood vessels to create the main structure of the body. At the end of the programme von Hagen announced that he did not expect to see the final work of art due to his ill health.