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Its been over a month since I relocated the unidentified organism that invaded the maternity ward to a holding room in the unused building. It was and has continued to be an arduous task to keep it confined. I have managed to keep it at bay with a combination of locks, sealant and a cattle prod.

So far I have been unable to classify the organism at all. It does not fall into any of the known species on earth. As such I have taken to calling it Subject Zero, and have spend many hours watching the undulating movement as it tests the strength of its cage over and over. Recently it has become more vocal, parroting babies cries and screams when I walk past the viewing window. I daresay it recognizes me now as its captor, and this was some form of communication. I have not offered it any food since securing it and it occurred to me that perhaps it was hungry, maybe even starving.

Down the hall I hear angry yelling that has filled the wing for the last few months. Lucas, as he calls himself, is in solitary confinement, chained to a bed. His recovery from the parasite removal is going well, and the wound area is healing nicely.



Unfortunately his temperament has remained hostile throughout the healing process, despite my explaining what the procedure had accomplished. I am regularly greeted with him screeching 'Shut up! SHUTUP! You BITCH let me out of here!'. His aggression is unexpected, after his castration I had expected the aggression to subside somewhat with the lack of testosterone flooding his system.

With the unrelenting aggression in the patient I know he is a poor candidate for release, as I walked down the hall towards his room considering my options with him Subject Zero continues to mewl like an infant pressing its bulbous eyes again the glass to look down the hall after me.


I have come to the conclusion that Lucas cannot be fully rehabilitated, I have learned much from him and hope that there is potential to learn a little more, and have his...disposal...not be a waste.

I wheeled him into Subject Zeros room. I had to fight the creature off with a few jabs of the cattle prod. It curled into a tangled mass in the corner allowing me to wheel Lucas into the center of the room. I had given him a mild muscle relaxant, enough to weaken him to the point he couldnt walk. He was conscious though and as I closed and sealed the door he spat one slightly slurred comment.
'You bitch, I'll kill you, you took my balls I'll fuck you with a knife! Just wait! This isnt fucking over!'

What happened next was truly fascinating. It was only a few moments after closing the door that the creature approached the intruder, completely unphased by the sudden panicked screaming. It spent a few moments investigating the wolf, beginning to drool heavily all over itself. It felt around to locate the knee join, then remarkably its fingers began the penetrate the flesh, not unlike a knife through butter. The flesh began to come apart, patella popping out of its joint easily, and bright blood beginning to pour out of the wound. The viscous saliva was also having a visible reaction to the fluffy substance on its neck, turning into a lumpy fibrous cement like paste. I can only surmise this was to form a seal on the wound, keeping the rest of the meal fresh as it were.

I continue to watch the rest of the process, transfixed. My heart is a-flutter with the potential application of this abilities in my wider research, and delighted that my dear Lucas will be with me for at least a few more months...at least most of him.

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: / Autopsy Life and Death
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In this new four-part series, anatomist Dr Gunther von Hagens and pathologist Professor John Lee get right under the skin to reveal the processes in life that tie us to our ultimate fate in death.The two scientists perform a series of autopsy demonstrations at the Institute of Plastination in Heidelberg, Germany, in which they point up the process of finding a cause of death. With the aid of human dissection, live models and scientific models they are able to reveal what disease really looks like and how it works.It is important to note that in the UK, a standard clinical autopsy tends to follow a set pattern in order to establish a sound cause of death for scientific, medical and legal purposes. The autopsy demonstrations in the programmes employ similar techniques to the clinical standard. But they were designed to present a clear view of the anatomy and pathology and as such they represent partial, rather than full autopsies. The autopsies in the films did not have any medico-legal purpose, since causes of death had, in all cases, already been registered in the manner required by German law.

Circulation. The series begins by looking at diseases affecting the circulatory system, a major cause of death in the UK. Von Hagens and Lee explain that rather than life hanging by a thread, it hangs by a tube. In particular they demonstrate the complex network of blood vessels that deliver oxygen to our vital organs. If some of these narrow, harden, become blocked or burst, they can damage the heart and end in what we understand as a heart attack.

Cancer. In the second programme of the series von Hagens and Lee take a look at cancer. They illuminate the difficulties of diagnosing and treating a disease that is a result of the body's own cells multiplying uncontrollably. Von Hagens dissects a woman who died of bowel cancer to reveal the site of the primary tumour and the other parts of her body that it affected. He also reveals the silent spread of tumours in the frozen body of a woman who died from breast cancer.

Poisoning. When von Hagens and Lee address the subject of poisoning, they are not thinking of a murder mystery. Von Hagens dissects the body of a dialysis patient who died of kidney failure to reveal that we are more likely to die of internal poisoning than by a surreptitious dose of arsenic. Lee explains how the body can be contaminated if critical organs like the kidneys and liver malfunction and fail to filter out poisonous byproducts of metabolism.

Ageing. In the last programme, von Hagens and Lee illustrate the process of ageing. To reveal the dread process for us all to see, the two scientists compare the bodies of two live models - an 84-year-old and a 24-year-old. Von Hagens then compares sections from the cadaver of a woman over 80 years old with the same sections from a much younger woman. By revealing the internal extent of ageing damage, von Hagens and Lee demonstrate the widespread effects of ageing and explain why we can't life forever.


: / Autopsy: Emergency Room
In November 2007, another series of 3 programmes was shown entitled Autopsy: Emergency Room, showing what happens when the body is injured, and featuring presentations by the British Red Cross.



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Strange Rituals /
In 2009 History Channel broadcast a series called Strange Rituals with eleven episodes. The first episode titled Last Rites featured von Hagens and his plastination method to preserve bodies.

Crucifixion /
On Easter Sunday 2012 the UK's Channel 4 showed a programme entitled Crucifixion in which von Hagens created his interpretation of the crucifixion of Jesus. The documentary examined the enduring iconic image of the Crucifix. A number of donors were used for the plastination of blood vessels to create the main structure of the body. At the end of the programme von Hagen announced that he did not expect to see the final work of art due to his ill health.