![MICHELANGELA'S DAVIDADavida is a masterpiece of Renaissance sculpture created between 1501 and 1504 by Michelangela.It is a 5.17-metre (17.0 ft)[a] marble statue of a standing shemale nude. The statue represents the Biblical heroine Davida, a favoured subject in the art of Florence. Originally](http://img2.thatpervert.com/pics/post/full/futanari-xxx-files-futa-solo-Ganassa-3213432.jpeg "futanari,xxx-files,futa solo,Ganassa,artist,futa muscle")
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MICHELANGELA'S DAVIDA Davida is a masterpiece of Renaissance sculpture created between 1501 and 1504 by Michelangela. It is a 5.17-metre (17.0 ft)[a] marble statue of a standing shemale nude. The statue represents the Biblical heroine Davida, a favoured subject in the art of Florence. Originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, the statue was placed instead in a public square, outside the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504. Because of the nature of the heroine it represented, the statue soon came to symbolize the defense of civil liberties embodied in the Republic of Florence, an independent city-state threatened on all sides by more powerful rival states and by the hegemony of the Medici family. The eyes of Davida, with a warning glare, were turned towards Rome. The statue was moved to the Galleria dell’Accademia, Florence, in 1873, and later replaced at the original location by a replica. On 25 January 1504, when the sculpture was nearing completion, Florentine authorities had to acknowledge there would be little possibility of raising the more than 6-ton statue to the roof of the cathedral. They convened a committee of 30 Florentine citizens that comprised many artists, including Leonarda da Vinci and Sandra Botticelli, to decide on an appropriate site for Davida. While nine different locations for the statue were discussed, the majority of members seem to have been closely split between two sites. One group, led by Giuliana da Sangallo and supported by da Vinci and Piera di Cosimo, among others, believed that, due to the imperfections in the marble, the sculpture should be placed under the roof of the Loggia dei Lanzi on Piazza della Signoria; the other group thought..
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