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/ EARLIER TODAY YOU TOOK SOMETHING. Lf&reer/m ENOUGH! WHAT \A/ WAIT! PLEASE... i {rY HEAR ME OUT. / 1 dr / / / J 14 Vf** %t\ 1U, ak ^ %m / / mm 1 ,/ / \ //Am J /
WHAT'S THE DEAL KID? UH, УОи STILL ^ THERE? . YOU'RE IN LUC<, KID. TELL ME EVERYTHING [HE COLLAPSED ON Mi [WAIT A MINUTE...] [A BRAND...] [AND IT'S FRESH...] hJL /! j i] y(Ji\r ¥/ A ) \
/ LETS STOP. J HAVE SOME \ 1SUPPLIES HERE THAT CAN HELP. SO WHAT DO I CALL YOU ANYWAY?
\ \ 1 / rV \ ’ \д / 1 i \ \ 1 \ \ i 1 1 1 \ 1 V 05
WHY ARE YOU REALLY HERE! I KNEW IT... YOU'RE HERE TO. OH. OOOH. WELL THEN.
HOW THIS PLMS OUT. J
CROWING UP A SEEN ANT OF [THE VILLA] I KNEW ONLY KINDNESS BUT EVER SINCE THE HOUSE V WAS OVERRUN THINGS HAVE CHANGED. A THE OTHERS PUT THE BLAME ON ME FOR THE MESSES YOLTVE CAUSED AND THE THINGS yOU'VE TAKEN AND VESTERDAV WAS THE LAST *■"—STRAW. BEFORE KICKING ME OUT THEY BRANDED ME... THE ONLY HOPE I HAVE TO RETURN IS IF I PROVE MY WORTH... WHATEVER THAT MEANS. I DON'T KNOW WHAT TO DO. r WITH NO OTHER OPTION I RISKED MY LIFE COMING HERE ^70 TRV AND BEG VOU TO^ STOP... BUT THEN I SAW THAT YOU CARRIED SAME BRAND... . —n 0 \ 1 "W 18
д Yu f i/i
MWAH
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