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AND SHE LEFT THE SHACK WITH A HUGE GARBAGE BAG OVER HER SHOULDER. SHOULD WE BE WORRIED? BECAUSE IF SHE TURNS UP AT THE POLICE STATION I'M WOT PAYING HER BAIL AG A... AND SHE WONT BE BACK FOR A FEW DAYS? NO NO. NOTHING UKE THAT - I THINK BEE TEE DUBS, I'M REALLY STARTING TO UKE THIS WHOLE OUTDOORS STUFF. HONESTLY THOUGH, I'VE STOPPED QUESTIONING WHAT MABEL DOES IN HER FREE TIME LOOOOONG AGO. OH YEAH? (BE£ TEE WHAT NOW?) îFHEH/ MAYBE YOU SHOULD QUESTION IT MORE. Y£>4//. THE WILDERNESS, CAMPFIRES, TENTS AND ALL THAT I'D UKE TO DO IT MORE~OFTEN. WHADDYA THINK? COULD YOU TEACH ME TO BE A REAL NATURE GIRL? WELL THAT'S V - IV BISDAD / 1 ** i \ VmJ r/- ft. I* ^ j \i » I——■—m /1
WHO ARE YOU AND WHAT'VE YOU DONE WITH PACIFICA'S BODY? I'M KIDDING. I'M KIDDING. BUT COME ON YOU? CAMPING IN THE WOODS? I JUST CAN'T SEE THAT. ALL I'M SAYING IS THAT IT CAN'T BE THAT HARD. OH BUT IT CAN ¡WATCH YCt'P STEP) NOT WITH THAT ATTITUDE. I SURVIVED THE APOCALYPSE. I KNOW. I WAS THERE TOO^_ ERR CAN WE PUT A PIN IN THIS FOR NOW 'CAUSE... ...AND ANOTHER THING, I'VE GRADUATED TOP OF MY CUSS IN "WILDERNESS SURVIVAL AND LIVING FOR YOUNG AND CURIOUS HEIRESSES" IN... WE'RE HERE 1 1 f 1 \ U / ■ l w y ^ IT 1 ) ■ 1 \v f* 1 L \ « / w i i L \VH'
J. I L-l r*>L— / X rttU THOUGH I'M GONNA BE STABBED OR SACRIFICED JUST BY LOOKING AT THIS DUMP. - SECOND THOUGHTS/ MASSIVE SECOND THOUGHTS// AH-AH. NO TURNING BACK NOW, PAZ. THE ONLY WAY TO GO IS FORWARD. NOW NOW, NONE OF THAT. WE HAVE A JOB TO DO HERE. SO WE MUST PROCEED CAUTIOUSLY AND DELICATELY. RIGHT... DELICATELY DON'T QUESTION M' METHODS. I KNOW. EXCITING, ISN'T IT? WELL, IN THE 80S, SOME PLASTERED TEENS CAME TO THIS VERY CABIN FOR SOME... FUN AND WERE MURDERED BY THE SO CALLED "LAKESIDE LACERATOR" UGH, THIS IS JUST WOW - WHAT HAPPENED HERE? YOU WOULDN'T BELIEVE ME IF I TOLD YOU. WHAT REALLY? BUT THERE ISN'T A LAKE ANYWHERE NEAR THIS PILE OF WOOD SOMEONE HAD THE GONADS TO CALL A CABIN. TRY ME, PINES THAT'S WHAT YOU CHOSE TO FOCUS ON? ANYWAY, BLAME THE JOURNALISTS. THEY LIKED THE ALLITERATION. v ¿111 1 1 \ \ \ JpOl UM DIPPER/ SKELETONS/ f/. 1 ! \ u 1 1 W.\ J,
HOLY B'SIDES IT'S NOT REALLY A WAAAAH.J. DIPPER/ WHAT'S GOING on he ..mom! ”n IT'S JUST L/KE THE OLD CONVENIENCE STORE. TH£H'HAr-; JUST STAY CLOSE! PACIFICA!! WHATEVER YOU'RE GONNA DO, DO IT NO J/ filin’ HN6AAAGHÜ! OOOW... THAT ACTUALLY HURT. > i» V.) J 1 ^ : -<! V j
I KNOW. ISN'T IT COOL? WE FINALLY HAVE REAL BODIES. ‘COURSE IT'S COOL!
THIS IS SO AWESOME/ AFTER TWENTY YEARS. WOW. WAS THIS SLAM CHICK A MODEL OR SOMETHING?/ I FEEL STUFF. FINALLY I FEEL STUFF. YOU'RE SO SWEATY/ I KNOW RIGHT/ WELL* HOW'S ABOUT WE THIS CHANCE? MAN WHAT A BOD YOU SNAGGED. YOU READ MY MIND, BABE (GIGGLE) AND YOURS JS PACKING SERIOUS HEAT. THIS IS GONNA BE v AWESOME/ DID YOU JUST.
&°°MBAT°l BORROWED S-STat^M WH#T 0\O WVW Fonts FCFV I ÙOV ,0¡ff€R< 1 3W, LET'S GET THIS PARTY STARTED. WHOA! RIGHT£GUSr-TONGUÊ ACTION, BABE. } THANK YOUUUU. J\ COME TO MAMA. £ "vTHis/i/zsixiir y/TH/¿y iS(\Jjr HAff’ŒMâ* cW-V'V
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YEAH! YEAH! MPH!. TWENTY YEARS WAS^J/A'WAY TOO LONG! YO. LET'S KICK IT UP A NOTCH! TOTALLY! ?0SS l&(£
BVSCHPR^ORPP' THAT'S JT BABE/ NOW HERE! ®/IS HftV'^oi7^n/p/pv |^|^ie^aopi^p mor£!! MORE!!! l:WAVrfl> hroJebo! Tl^
.aaand I'M OUT'. _*MffGññdl TWENTY flOKTH Tl ' ' .pu A <r\^îr: Л vJfihfr. STvcmll ■ 1 i МР~^-Лёг^Ш К V\| fi Д Д ,v f \ л /"*? ъ\ ЁШи [Л Y Н 1 - >^\ € \/ , тоА\ W
MPFt? UM...SO... BY "OUR FIRST TIME DID YOU ACTUALLY IMPLY THAT. SHHHHHHH CAN WE... CAN WE TALK ABOUT THIS LATER?
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